“I wanted to avoid the cliché during this conversation but I can’t,” said Zimmer. Ultimately, though, the composer and those at his Santa Monica studio Remote Control Productions have an underlying objective to bring greater awareness to the film composition trade. It’s likely, Zimmer said, that every piece of music created for Nolan’s Batman trilogy will eventually be released in one collection. Only five soundtracks are in the top 200 on this week’s pop tally, and one,”The Hunger Games,”features little music from the film. The app comes at a time when soundtracks aren’t exactly dominating the charts. “Because ‘Inception’ was a more dream-like world, I could take the atmosphere further,” Zimmer said. For the “Inception” app, developed with RjDj, users could record their surroundings and hear them woven into Zimmer’s score. Zimmer and Nolan first tried a mobile approach with the 2010 film “Inception.” That app also used augmented sound to fold in a user’s surroundings with the score’s ambient noise. The suites are so much more based on all the more detailed conversations Chris and I were having.” It’s a bad paradigm, but the suites are like the novel of this thing. “This shows more of the process,” Zimmer said. The full suites formed the basis for all the music heard in the film and collected on the soundtrack. Zimmer’s suites created for characters Bane (Tom Hardy) and Catwoman (Anne Hathaway) tap opposite ends of the spectrum, alternating between booming chants and playful piano prances. Musically, Gotham City is a murky, bass-heavy world, one full of rhythmically minimalist symphonic strikes and notes stretched thin for maximum tension.
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